Flick International Desert island scene with a makeshift tent and a vibrant sunset

Exploring Survival and Humor in ‘Send Help’: A Review of the New Thriller Starring Rachel McAdams and Dylan O’Brien

Exploring Survival and Humor in ‘Send Help’

Have you ever pondered what essential items you would take with you if stranded on a deserted island? While my first thought might be a fully stocked refrigerator, it certainly would not aid in hunting for food.

In the latest thriller, Send Help, directed by Sam Raimi, viewers have much to unpack, but it diverges from expectations of a hearty meal.

In this film, Rachel McAdams portrays Linda Liddle, an office worker who struggles with social interactions at the Preston corporation. Although she has a reputation as an outcast, her competence makes her a deserving candidate for a promotion. However, her aspirations take a hit when her boss unexpectedly passes away, leaving the company in the hands of his son, Bradley Preston, played by Dylan O’Brien. Rather than promoting Linda, Bradley decides to elevate a college friend who has just been hired, leaving Linda’s loyalty and dedication unrecognized. Anger takes over as she boldly confronts Bradley in his office.

Bradley delivers a harsh assessment, emphasizing his preference for a ”people person” who is ”well-liked” and ”plays golf.” His blunt statement, ”I just don’t think you got it,” leaves her feeling crushed. Fortunately, a supportive colleague convinces Bradley to include Linda in an important merger meeting in Bangkok, temporarily stalling his plans to let her go.

As Linda joins Bradley and his entourage on the company’s private jet, turbulence takes on a completely new meaning. The aircraft encounters a thunderstorm and crashes into the Pacific Ocean, leading Linda to swim toward a deserted island. A stroke of fate lands both Linda and Bradley as the only survivors.

One key aspect of Linda’s character is her obsession with the reality series Survivor. So immersed is she in survival strategies that she even submitted an audition tape to the show. Her extensive knowledge, reflected in numerous survival books, positions her as the ideal candidate to navigate life on a deserted island. She quickly adapts, building makeshift shelter and starting fires, displaying remarkable survival skills.

Contrarily, Bradley struggles, having sustained a significant leg injury in the crash. This injury further complicates his situation, leaving him at Linda’s mercy as she takes control of their new reality.

”We’re not in the office anymore, Bradley,” Linda asserts, asserting her authority on the island.

The interplay between Linda and Bradley teases potential growth for both characters, yet it mainly showcases Linda’s transformation. As she embraces their rugged lifestyle, she exhibits signs of potential madness, while Bradley remains unrepentantly arrogant, providing fleeting glimpses of personal development. This dynamic could suggest a deeper commentary on human nature, where individuals may either retain their inherent flaws or become increasingly corrupted.

Rachel McAdams shines, carrying the weight of the film on her shoulders. Her character, though portrayed as socially awkward, brims with enthusiasm for island survival. Critics have often underrated her talent, yet here she proves her range. Dylan O’Brien, known for his roles in Teen Wolf and the Maze Runner series, steps into a challenging role. He portrays someone deeply flawed, yet his natural charm renders him a captivating on-screen presence.

The limiting script by screenwriters Damian Shannon and Mark Swift leaves a mark on the film’s potential. But Raimi’s renowned directing style amplifies the overall experience. His trademark flair for over-the-top violence showcases itself in Send Help, stirring moments reminiscent of his classic Evil Dead series. The somewhat campy CGI complements this stylized approach, creating a unique viewing experience.

In summary, Send Help offers an entertaining look at how people adapt under dire circumstances while showcasing the comedic disparities between two contrasting personalities. Although it doesn’t emerge as a cinematic masterpiece, the film serves as an enjoyable option to pass the time, particularly for those looking for light fare while traveling.

Send Help is rated R for strong and bloody violence and profanity. Running time: 1 hour and 53 minutes. Now playing in theaters.