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In a surprising turn of events, Adam Mondschein, who starred alongside Blake Lively in the film It Ends With Us, publicly challenged her claims regarding a contentious birthing scene. According to Mondschein, Lively allegedly “never complained or expressed discomfort” during the filming, which Lively described in a legal filing as “invasive” and chaotic.
Mondschein played the role of Dr. Dunbar in the film and expressed disbelief at Lively’s account of their time together. He noted that his experience was profoundly different from the portrayal in her lawsuit, where she claimed that the scene lacked standard industry protections for filming intimate moments.
The actor’s name did not appear in Lively’s lawsuit against director Justin Baldoni, but he was referenced as a “non-essential” member of the crew, allegedly a close friend of Baldoni. Lively’s complaints regarding the birthing scene featured stark allegations about the environment on set, asserting it was “chaotic, crowded and utterly lacking in standard industry protections for filming nude scenes.”
In her initial December 2024 complaint and later updates, Lively stated that Baldoni failed to secure the set, leading to a situation where non-essential personnel were present while she filmed a scene in which she was “mostly nude with her legs spread wide in stirrups.”
Mondschein spoke to Fox News Digital about the allegations, saying, “I’m not going to speculate as to Ms. Lively’s motivations for mentioning me in the complaint. My experience working with her is very different from the one she described.” He expressed that he was surprised by her depiction of the scene, emphasizing that Lively was not “nearly nude” during the shoot. Instead, he stated, her costume included a full hospital gown, black shorts, and a torso-covering prosthetic designed to mimic pregnancy.
Furthermore, Mondschein argued, “She never complained or expressed discomfort at any point because nothing unusual or improper occurred. It was entirely professional.” He also addressed Lively’s insinuations about his qualifications, asserting that they are publicly available online and clarifying that he had to cover his own travel and living expenses for the role.
When pressed for further comment, Lively’s representatives directed inquiries to specific statements from her amended complaint. In it, Lively reiterated that the lack of protections during the birth scene filming created a distressing situation.
The lawsuit highlights several industry-standard measures reportedly overlooked, such as coordinating with an intimacy coordinator, having a signed nudity rider, or simply managing the privacy of filming by turning off monitors.
Lively’s complaint asserts that Baldoni insisted that women give birth entirely nude, sharing personal anecdotes about his own wife’s experience. According to her filing, Lively felt pressured into agreeing to be “naked from below the chest down” against her preferences.
Documents state that Lively was not provided with anything to cover herself between takes until after making multiple requests. This lack of support reportedly heightened her apprehension, especially upon learning that Baldoni had chosen his friend for the intimate role of the OBGYN, which she found invasive and humiliating.
Sources familiar with the situation revealed that Lively felt extremely uncomfortable with the circumstance of her colleague’s close proximity during such a vulnerable scene. They indicated that many found it troubling that Baldoni would select his best friend for this delicate role.
Moreover, Lively’s legal complaints encompass allegations of sexual harassment, retaliation, and emotional distress that were initially filed with the California Civil Rights Department and later escalated to federal court.
On the same day Lively filed her complaint, Baldoni launched a $250 million lawsuit against the New York Times regarding a December article that covered what he described as a smear campaign against him. Subsequently, he filed a $400 million defamation lawsuit against Lively and her husband, Ryan Reynolds, claiming they attempted to control the narrative surrounding It Ends With Us.
The intertwining legal battles and public statements from both parties underscore the complexities of the Hollywood workspace and the challenges actors face when navigating intimate scenes.
A trial date has been scheduled for March 2026, at which time more details surrounding these allegations may unfold in a courtroom setting. As the entertainment industry continues to grapple with issues around worker safety and consent, this case raises critical questions about standard practices during filming and the treatment of actors on set.
As the story develops, the perspectives of both Lively and Mondschein emphasize the challenges inherent in portraying sensitive scenes and the importance of establishing clear communication and consent within filmmaking practices.