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In 1967, the Corporation for Public Broadcasting (CPB) emerged under the Lyndon Johnson administration, tasked with providing “universal access to non-commercial, high-quality content and telecommunications services.” This mission was groundbreaking in an era when television options were limited.
By 1970, the CPB facilitated the creation of both PBS and NPR, offering Americans access to influential programs like the “News Hour” and educational children’s shows such as “Sesame Street.” At that time, the broadcasting landscape was starkly different, dominated by only three networks, with cable television predominantly in rural areas, and VCRs still a concept of the future.
Production costs posed significant barriers to broadcasting. David Grzybowski’s book, ‘The Big Story,’ references Philadelphia news anchor Larry Kane’s recounting of the 1979 Three Mile Island nuclear incident. He noted the extreme difficulty in getting live coverage from Harrisburg to Philadelphia:
“I know we had a live microwave, but the microwaves didn’t go that far. I think we sought some satellite time… The satellite times in those days were $5,000 a minute.”
This staggering cost highlights the challenges of broadcasting at that time. Today, with a smartphone, broadcasters can conduct high-quality live interviews from virtually anywhere, reshaping the parameters of communication.
The primary mission of the CPB—to ensure access to high-quality programming—has begun to wane in the face of technological advancement. With $535 million in taxpayer funding in the current budget, the agency’s importance is increasingly questioned. Anyone with internet access can now explore billions of hours of content, many of which are non-commercial and educational.
Over the last two decades, public broadcasting has pivoted to a new mission that critics argue is purely ideological. This shift detracts from the original goals outlined in its founding legislation, which emphasized the need for balanced and objective programming. NPR’s CEO Katherine Maher recently stated, “Our reverence for the truth might be a distraction getting in the way of finding common ground and getting things done.” Such statements raise concerns about the entity’s adherence to objectivity.
Increasing complaints suggest that public broadcasting no longer fulfills its mandate. Instances of biased coverage have surfaced, as highlighted by former NPR editor Uri Berliner. He noted during the Hunter Biden laptop story that the network’s editorial decisions seemed to sidestep crucial journalistic principles for political reasons. The sentiment among some journalists was that ignoring this lead was preferable if it could potentially aid a particular political outcome.
Calls for reforming PBS and NPR have emerged, with critics suggesting more balanced approaches. Proposals range from diversifying programming to introducing shows with alternative viewpoints. Yet, some argue that no restructuring can redeem an organization that lacks relevance in a rapidly evolving media environment.
The digital landscape has transformed how audiences consume media. For many Americans today, public broadcasting no longer fulfills the same purpose it once did. While nostalgic for iconic shows from the past, viewers now have a plethora of options at their disposal that often offer higher-quality or more relevant content.
As the public continues to adapt to a more dynamic and democratized media landscape, the question remains: Is public broadcasting still a necessary service? Many believe it’s time to reconsider public funding for institutions that have not adjusted to current societal needs. The essence of public broadcasting may have served a purpose decades ago, but in today’s world, it’s crucial to reassess its role and relevance. Ultimately, the goal should be to ensure that taxpayer dollars are allocated wisely, supporting initiatives that truly advance the public interest.
As we reflect on the legacy of public broadcasting, it may be time to accept that, while it played an essential role in the past, we must now embrace new forms of media that better suit our current realities.