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Former President Donald Trump has intensified his campaign against perceived liberal biases in American culture by ordering a major review of the Smithsonian Institution. His directive, announced on Truth Social, labeled the institution and other museums across the nation as remnants of what he called ‘WOKE’ culture. The criticism came with a formal letter sent to Smithsonian Secretary Lonnie Bunch, detailing the review.
In his social media statement, Trump claimed that these museums propagate narratives that undermine the United States rather than honor its accomplishments. He proclaimed, “The Museums throughout Washington, but all over the Country are, essentially, the last remaining segment of ‘WOKE.’ The Smithsonian is OUT OF CONTROL … Nothing about Success, nothing about Brightness, nothing about the Future.”
Continuing in this vein, Trump emphasized that the U.S. must reject ‘WOKE’ culture, insisting, “This Country cannot be WOKE, because WOKE IS BROKE. We have the ‘HOTTEST’ Country in the World, and we want people to talk about it, including in our Museums.”
The letter articulated a need for Smithsonian leaders to submit exhibition plans, internal guidelines, and documentation concerning the America 250 programming for thorough evaluation. This initiative coincides with preparations to celebrate the 250th anniversary of America’s founding.
The document stated, “As we prepare to celebrate the 250th anniversary of our Nation’s founding, it is more important than ever that our national museums reflect the unity, progress, and enduring values that define the American story.” Trump’s administration aims to align the content presented in Smithsonian museums with this directive, promoting American exceptionalism while striving to eliminate divisive or partisan elements.
The review will scrutinize not only public-facing content but also curatorial processes and overall narrative standards. Prominent museums targeted in the initial phase include the National Museum of American History, the National Museum of Natural History, and the National Museum of African American History and Culture, among others.
Warnings of bias in the Smithsonian’s programming have already emerged. Earlier in July, White House officials voiced concerns about the ‘Entertainment Nation’ exhibit at the National Museum of American History. They criticized it for perceived inaccuracies and bias against American history.
White House special assistant Lindsey Halligan stated at the time, “American taxpayers should not be funding institutions that undermine our country or promote one-sided, divisive political narratives.” Halligan articulated the need for the Smithsonian to present history in a manner that is both accurate and representative of the values that Americans hold dear.
Among the exhibits highlighted by the White House was a 1920s circus poster, which allegedly exemplified a colonial mindset, and another display that questioned the impact of the character Tonto in relation to American global dominance. Additionally, a panel critiqued the original design of Mickey Mouse from ‘Steamboat Willie,’ suggesting connections to blackface minstrelsy.
The directive underscores a critical intent from the Trump administration to reshape cultural narratives and how they are presented in national museums. Selective programming and promotion of a particular viewpoint on American history have sparked considerable debate.
The overarching objective of the review is not to disrupt the daily operations of museum curators or staff but to promote a broader vision that focuses on historically accurate and uplifting representations of America’s heritage. As articulated in the letter, the initiative aims to convert ‘divisive or ideologically driven’ language into narratives that are unifying and constructive.
The White House has established a timeline mandating that museums submit the requested materials within 30 days. Additionally, staff interviews must occur within 75 days, and any necessary content adjustments should begin within 120 days.
These adjustments are intended to supplant divisive narratives with universally acceptable and historically grounded information. The review reflects the government’s mission to support cultural institutions while reinforcing a shared understanding of American history.
Despite the intensity of the communication, White House officials characterized the review process as one of collaboration. They hope to work alongside Smithsonian staff in what has been referred to as a revitalized curatorial vision that would highlight the accomplishments and rich tapestry of the American story.
The letter concluded by expressing a commitment to leverage this initiative as an opportunity for positive change, underscoring the importance of presenting the stories of the American people, their principles, and their progress.
While the review aims for better alignment with historical truths, it has stirred discussions surrounding the interpretation of cultural narratives in public institutions. The potential impacts of this initiative on both museum operations and visitor experiences remain to be seen.
The White House and the Smithsonian Institution did not respond immediately to requests for comments regarding the review process or its intended outcomes.