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In today’s Hollywood landscape, the allure of a movie star seems to wane. With fewer blockbuster films achieving box office success, audiences question whether the charisma of A-list actors still guarantees ticket sales. The era of iconic stars like Cary Grant, Jimmy Stewart, and John Wayne appears distant.
Now, in Netflix’s latest offering Jay Kelly, George Clooney portrays the titular character—one of the final symbols of leading man glory in Tinseltown. Fresh off a film shoot, Jay aims to spend quality time with his daughter Daisy (played by Grace Edwards) before she departs for college. Plans take an unexpected turn when Daisy schedules a European vacation with friends instead.
Determined to repair his strained relationship with his estranged eldest daughter, Jess (Riley Keough), Jay decides to abandon his downtime and hop on his private jet to join Daisy. This sudden decision leads to chaos among his entourage, including his long-time manager Ron (Adam Sandler) and publicist Liz (Laura Dern), whose primary role involves managing the fallout from Jay’s impulsive choices.
The narrative intersperses flashbacks that reveal critical moments from Jay’s career alongside his deeper regrets. These recollections range from his early days in acting and significant auditions to more painful memories concerning Jess and how he treated his late mentor. A pivotal moment occurs when Jay poignantly realizes, “All my memories are movies.” This contemplation on his past underlines the film’s desire to explore the consequences of fame and personal relationships.
Clooney’s portrayal feels akin to playing an exaggerated version of himself—a dashing, successful actor accustomed to getting his way, who ultimately confronts his own imperfections as his career approaches twilight. While Clooney delivers a commendable performance, the essence of the film feels reminiscent of better-executed thematic explorations like those found in Birdman with Michael Keaton or in Funny People with Adam Sandler himself.
Despite Clooney’s marquee value, the spotlight often shifts to Ron and Liz, who bear the emotional toll of supporting an unpredictable star. Ron exudes unwavering loyalty as a friend and manager, while Liz provides a sobering reminder of their unbalanced relationship with Jay, stating, “We’re not to him what he is to us.” Their dynamic adds a rich layer to the narrative, reflecting the sacrifices and exhaustion that often accompany life in Hollywood.
While Clooney may be the headline act, it’s Sandler who truly captivates audiences with one of the most emotionally layered performances in his career. Laura Dern also showcases her talents as the beleaguered publicist trying to maintain professionalism amid the chaos.
Under the direction of Noah Baumbach—renowned for his intimate indie films like The Squid and the Whale and Marriage Story—the scale of Jay Kelly expands dramatically. The film features an impressive ensemble cast, including Billy Crudup, Patrick Wilson, Isla Fisher, Jim Broadbent, Stacy Keach, Greta Gerwig, and Emily Mortimer, who contributed to the script.
Oscar-winning cinematographer Linus Sandgren, known for his work on La La Land, brings stunning visuals to Jay Kelly, particularly in capturing the breathtaking landscapes of Tuscany. Alongside Sandgren, Nicholas Britell, celebrated for his compelling score for Succession, provides the film with an evocative soundtrack that mirrors Jay’s extravagant lifestyle.
At its core, Jay Kelly serves as a familiar, cautionary tale exploring the dissolution of an aging Hollywood star. While the film boasts high production values and a handful of memorable performances—specifically Sandler’s nuanced portrayal—the overall impact may leave viewers wanting more depth. The film may slip into the category of forgettable entries in the filmography of its high-profile cast.
Jay Kelly holds an R rating for language and spans a runtime of 2 hours and 12 minutes. The film will be available in select theaters and streaming on Netflix starting December 5.