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Mel Gibson is set to resume production on the long-awaited sequel to his blockbuster film “The Passion of the Christ,” which made waves over two decades ago. This summer, work will commence in Rome, more than 21 years after the original film captivated audiences worldwide.
According to Variety, filming for the sequel, entitled “The Resurrection of the Christ,” is slated to begin in August at Cinecittà Studios. Manuela Cacciamani, CEO of the studio, shared this announcement during an interview with the Italian financial newspaper Il Sole 24 Ore.
The production will return to key locations familiar to fans of the first film. Much of the original was filmed at Cinecittà Studios, with scenes also shot in the ancient city of Matera, located in southern Italy. Additionally, rural towns across the region, including Altamura, Ginosa, and Gravina Laterza, will feature in the sequel.
Jim Caviezel, who portrayed Jesus Christ in the first film, is confirmed to reprise his iconic role. Maia Morgenstern, who played Mary, and Francesco De Vito, who depicted the disciple Peter, are also expected to return, according to IMDb listings.
When released, “The Passion of the Christ” garnered $611 million globally, turning a $30 million budget into monumental box office success. It currently ranks as the second highest-grossing domestic R-rated film in Hollywood history.
The original film faced immense scrutiny due to its vivid portrayal of Jesus’ suffering and crucifixion. Many critics raised concerns regarding biblical and historical fidelity. Some even accused the film of fostering antisemitic sentiments through its depiction of Jewish leadership involved in Jesus’ death.
Despite these controversies, the resulting discussions significantly drove public interest, and PR expert Steve Honig believes that the same might occur with the sequel. He quoted, “Moviegoers will be curious about the film, and that may be enough to get them to see the movie, or at least read the reviews and let that guide them.”
Gibson has remained a polarizing figure in Hollywood, facing multiple scandals that have threatened to overshadow his artistic achievements. In July 2006, amid a DUI arrest, he launched an antisemitic tirade against a Jewish officer, leading to widespread condemnation. He has expressed regret for his comments and aimed to rehabilitate his image since.
Further controversies emerged in 2010 when leaked voicemails revealed Gibson employing ethnic slurs and abusive language against his then-girlfriend, Oksana Grigorieva. After pleading no contest to a domestic battery charge, his career faced a downturn.
However, redemption appeared on the horizon with the 2016 release of “Hacksaw Ridge,” a World War II film that earned six Academy Award nominations, revitalizing his directorial career.
As the production of “The Resurrection of the Christ” draws near, the viability of Gibson’s public image remains a focal point. Honig emphasized, “The question here is, has Mel Gibson gotten through all the controversy that has surrounded him for so long?” He noted the polarized views, stating that certain audience segments may embrace the film while others may avoid it entirely.
Gibson announced the project was in the works during a 2016 event, clarifying that this is not merely a sequel but an exploration of Christ’s resurrection. He stated, “It’s called ‘The Resurrection,’ and it’s a much bigger subject that needs deeper exploration. We don’t want just a retelling of events—there must be more to it than that.”
The film aims to delve into profound themes surrounding good and evil, examining humanity’s significance in the spiritual struggle. Gibson has expressed a desire to explore realms beyond human understanding, pushing the narrative to encompass not just the resurrection but the overarching spiritual battle.
In a candid discussion, Gibson conveyed, “There are big realms at play, and my question is, why are we, flawed humans, important in that process?” This ambition resonates through the script, which he has worked on with his brother Donal and screenwriter Randall Wallace for several years. Gibson characterized the script as an “acid trip,” indicating a layered narrative that transcends conventional storytelling.
Majoring in technological advancements, the film production will employ de-aging and CGI techniques, considering Caviezel’s character ages since the first film’s release. Unlike its predecessor, which utilized Aramaic, Hebrew, and Latin languages, Gibson plans to present this film predominantly in English to better convey the complex themes.
As anticipation mounts, industry insights reflect a mixture of excitement and caution. Doug Eldridge of Achilles PR noted the challenges that follow a successful narrative like the original “The Passion of the Christ.” He articulated, “Following the first film is akin to following an outstanding test score; meeting audience expectations feels like a daunting task.” Eldridge also praised Gibson, asserting that if anyone can rise to the challenge, it is the experienced filmmaker.
The impending release of “The Resurrection of the Christ” could reshape the landscape of faith-based cinema, with audiences eager for narratives that challenge conventional themes. Through Gibson’s storytelling, the film may create a distinctive platform for exploring faith, resilience, and humanity’s eternal quest for meaning.
As production looms closer, the eyes of the film industry and audiences alike will remain fixed on Gibson’s endeavor. Whether the sequel meets the high expectations set by its predecessor remains to be seen, but one thing is assured: curiosity will draw spectators to theaters once again.