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In a thought-provoking article, Michael Schneider, the executive editor for Variety’s TV section, discussed the startling parallels between the dystopian worlds depicted in Amazon Prime’s “The Boys” and Hulu’s “The Handmaid’s Tale” and contemporary society. With the rise of political tensions, his commentary raises questions about the nature of reality versus fiction.
Schneider observed that the fictional depictions of crisis and authoritarianism in these series seem less like exaggeration and more like a reflection of present-day America under President Donald Trump’s administration. He noted that the scenario portrayed in these shows does not appear so far-fetched anymore.
Recent marketing for “The Boys” features tongue-in-cheek references that jokingly label the series as a documentary. In a 2022 interview with Rolling Stone, showrunner Eric Kripke highlighted the character of Homelander, a dark interpretation of the superhero archetype, as being intentionally designed to mirror the former president’s persona.
Schneider acknowledged that each new season of the superhero drama intensifies the sense of realism within the narrative. He remarked that the series gradually feels less like fantasy with every episode that airs.
Turning his focus to “The Handmaid’s Tale,” Schneider noted that the show’s disturbing themes resonate profoundly with the current political climate. He cited specific remarks from the show’s creators, emphasizing their concerns about the repercussions of societal choices.
Executive producer Eric Tuchman recounted the initial apprehensions of the writers concerning the potential for Roe v. Wade to be overturned following Trump’s election in 2016. What once seemed alarmist has become a chilling reality. Tuchman reflected that the creators were not aiming to explicitly critique political developments yet inadvertently portrayed a striking resemblance to ongoing events.
Showrunner Yahlin Chang described her extensive research into child separation practices in conflict zones, which inspired a pivotal scene in the series. She underscored her shock at discovering such practices echoed within the United States amid the political climate of recent years. Chang’s research aimed to create authenticity for the emotional dynamics depicted in the episode.
Chang noted that the writers’ research into authoritarian regime tactics unwittingly mirrored the real-world scenarios that began to unfold during the show’s airing. She articulated her disbelief that such harrowing situations could manifest in American society.
As Schneider pointed out, as real-life events grow darker and more troubling in the United States, the fictional realm of Gilead prepares for a revolution, shining a light on the stark contrast between fiction and the evolving reality.
In a poignant moment, Schneider expressed his aspirations for a shift in the narrative, suggesting that perhaps, unlike the stories depicted in these shows, the real world could strive for a happier ending. He mused about the possibilities of real change, hoping that life could start to mirror the art in a positive way.
As society grapples with its challenges, the fictional narratives of “The Boys” and “The Handmaid’s Tale” serve not only as entertainment but as cautionary tales. By exploring these shows, audiences may find themselves prompted to reflect on real-world issues, encouraging an examination of the current political landscape.