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Journalism is often described as the first draft of history. If that assertion holds true, then journalism books may serve as a protective mechanism for historical accounts. This perspective resonates in the recent publication by CNN anchor Jake Tapper and Axios National Political Correspondent Alex Thompson. The authors appear to direct the blame for the coverage of President Biden’s health primarily toward the White House, seemingly exonerating the media.
The soon-to-be-released book, titled “Original Sin: President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run,” might be better characterized as a work of “Original Spin.” Initial reviews and excerpts suggest that it serves as a whitewash, glossing over journalism’s inadequacies in properly reporting on Biden’s apparent cognitive decline.
This release has not gone unnoticed, prompting a flood of reactions across social media platforms such as Twitter. Amid this lively discourse, there are opinions that the coverage warrants recognition, with some contributions labeled as award-worthy.
The promotional description on Amazon reads more like a summary of a thrilling political saga rather than the speculative narrative it presents. Describing it as “an unflinching and explosive reckoning” reflects an attempt to shape the reader’s understanding of Biden’s run for reelection. This run occurs despite concerns about his mental fitness, amid efforts to downplay the reality of his decline. The quote from Politico included in this promotion highlights the anxiety among Biden’s allies regarding the book.
While some speculate on Biden’s allies’ apprehensions about the book, the true concern seems to reside with the media itself. This publication serves as a reminder of the legacy media’s shortcomings, both in reporting factual information and acknowledging their past omissions.
On the other hand, Tapper and Thompson present themselves as diligent journalists dedicated to uncovering the truth in a landscape riddled with deceitful politicians. Tapper notably likened their motivation to a quote from Toni Morrison, expressing that their book emerged from the desire to explore the events they all witnessed. However, this assertion raises questions about their commitment to objectivity, especially considering their history of defending Biden.
In February 2024, Biden participated in a press conference meant to counter a statement by special counsel Robert Hur, who called Biden a “sympathetic, well-meaning, elderly man with a poor memory.” The president appeared to struggle with coherence during the event, at one point mistakenly identifying the Egyptian President as the “president of Mexico.” Media portrayals of this pressing moment varied dramatically, with some outlets opting to sidestep the evident memory lapses in their headlines.
Various prominent media figures, including Joe Scarborough from MSNBC, have also articulated their support for Biden, claiming he is more intellectually capable than ever. Such declarations raise eyebrows, especially as they occurred just months before the faltering campaign culminated in an abrupt end.
When journalists encounter criticism of the president, there appears to be a tendency to dismiss legitimate concerns as merely products of misinformation. CNN’s Brian Stelter echoed the White House’s dismissal, labeling critiques as “cheap fakes.” This pattern of behavior points toward a more extensive endeavor by some journalists to deflect attention from uncomfortable truths regarding Biden’s mental acuity.
By mid-2024, reports suggested that Biden had become increasingly confused in interactions with international leaders, with some outlets attempting to frame these moments in a more favorable light. This raises serious questions about media integrity and the responsibilities of journalists as they navigate their roles in political discourse.
As part of the strategic promotion of their book, Tapper and Thompson co-authored an article in The New Yorker. In it, they quote several Democrats who align with their perspective on Biden’s presidency. This selective quoting appears to strengthen their narrative, while sidelining dissenting views within the party.
Interestingly, the piece discusses the opinions of high-profile actors such as George Clooney, who have openly criticized Biden’s fitness to lead. This raises a broader inquiry about who holds influence in shaping public narratives surrounding political figures and the powerful role media plays in amplifying certain voices.
Even after Biden’s debate performances, where critics noted significant shortcomings, some journalists refrained from providing honest assessments. Reports described the debates in ambiguous terms, leaving room for doubt regarding Biden’s competency. This reluctance to confront uncomfortable realities suggests a problematic relationship between the media and political narratives.
The Associated Press noted how viewers across party lines acknowledged Biden’s poor performance in debates, which further illustrates the dissonance between media narratives and public perception. Such discrepancies underscore the importance of critical engagement with media representations of political events.
In conclusion, the conversations sparked by Tapper and Thompson’s book challenge readers to reflect on the nature of media accountability. As the traditional press grapples with perceived biases and accountability, it remains crucial for journalists to engage candidly with the political landscape. The implications of this narrative extend beyond mere media criticism; they speak to the broader discourse surrounding transparency, truth, and the responsibilities of journalists in a democratic society.