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Can viewers enjoy a politically charged film that challenges their own beliefs? This question lingers for those contemplating a visit to Paul Thomas Anderson’s latest project, One Battle After Another. The film urges audiences to grapple with the intersection of great artistry and current affairs.
Set against the backdrop of the turbulent Reagan era, the movie draws inspiration from Thomas Pynchon’s novel, Vineland, and was filmed in 2024. Regardless of the political climate, Warner Bros. would have unveiled this cinematic endeavor. With Donald Trump back in the White House, One Battle After Another emerges as both a timely critique and a melting pot of entertainment.
The narrative revolves around The French 75, a self-styled revolutionary group reminiscent of the Weather Underground, who takes extreme measures against perceived authoritarianism. Their illegal actions include liberating migrants from detention centers and targeting lawmakers responsible for restrictive abortion laws — material that paints a provocative picture of resistance.
Leading the charge are Bob, portrayed by Leonardo DiCaprio, and Perfidia, played by Teyana Taylor. Bob, an explosives expert, and Perfidia, an armed force of nature, find their loyalty to the cause tested as they navigate parenthood. A disastrous bank heist triggers a chain of events that forces Perfidia to betray her comrades and flee, leaving Bob to raise their child alone.
Fast forward sixteen years, and the once revolution-driven ex-comrades are now ensnared in a web woven by Col. Steven Lockjaw, depicted by Sean Penn. Lockjaw, a caricature of villainy, relentlessly hunts down the former radicals, determined to exact his own brand of justice. In contrast to his past, Bob emerges as a paranoid recluse, struggling to connect with his teenage daughter Willa, played by newcomer Chase Infiniti.
One Battle After Another marks an intriguing departure for Paul Thomas Anderson and Leonardo DiCaprio. Known for intense dramas like There Will Be Blood and The Master, Anderson ventures into the realm of action-packed crime satire. Meanwhile, DiCaprio embraces a humorous role, challenging his traditional image in Hollywood as a serious leading man. He embodies a laid-back, stoned character that offers a sharp contrast to his previous performances.
Sean Penn delights in his role as the absurd and comically incompetent Lockjaw, creating an endearing villain despite his malicious intent. The dynamic between DiCaprio’s and Penn’s characters adds layers to the viewing experience, highlighting the bizarre dualities of good and evil.
In her role as Perfidia, Teyana Taylor exudes strength and complexity. The character’s obsession with the cause often overshadows her role as a mother, leading to shocking moments that push the boundaries of family and fidelity. The film delivers striking imagery as Perfidia wields her firearms, even while pregnant, symbolizing the dangerous undercurrents of the revolutionary path she has chosen.
Chase Infiniti makes a resounding impact as Willa, successfully holding her own alongside seasoned actors like DiCaprio and Penn. Her performance underscores the challenges of growing up in a chaotic world shaped by parental legacies and societal expectations. With her rigorous portrayal, Infiniti enhances the narrative’s emotional depth.
Adding to the ensemble, Benicio del Toro provides levity as Bob’s ally and Willa’s karate instructor, further enriching the film’s cast. Regina Hall takes on a protective role, navigating the treacherous environment spawned by Lockjaw’s relentless pursuit of the protagonists.
With a runtime of 161 minutes, One Battle After Another stands as Anderson’s second-longest feature, just behind Magnolia. However, it maintains a brisk pace, fueled by thrilling action sequences and gripping cinematography executed by both Anderson and Michael Bauman. The climactic car chase and various action-packed scenes evoke a sense of urgency that keeps viewers on the edge of their seats.
The film’s score, composed by Jonny Greenwood of Radiohead, complements the visual experience impeccably. His pulsating rhythms and haunting melodies drive the film’s intensity, ensuring viewers remain engaged throughout.
Experiencing a film like One Battle After Another ultimately poses a reflective challenge: Can you appreciate creativity that counters your own beliefs? If your answer is no, this film may not resonate with you. However, for those willing to embark on this cinematic journey, witnessing Paul Thomas Anderson’s dive into action and DiCaprio’s comedic turn represents a radical exploration of art and society.
One Battle After Another is rated R for pervasive language, violence, sexual content, and drug use. The film runs for 2 hours and 41 minutes and is set to hit theaters on September 26, 2025.