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In a sharp political commentary, “Saturday Night Live” targeted President Donald Trump’s new tariff policy and the escalating criticism of Tesla in a recent sketch. This comedic piece cleverly coined a phrase to jibe at the president’s economic perspective, dubbing it MAGDA, which stands for “Make America Great Depression Again.”
During the skit, cast member James Austin Johnson reprised his role as President Trump, stating, “We’re [going to] do MAGDA. Make America Great Depression Again. It’ll be better than great, it’ll be a fantastic, unbelievable depression.” This humorous take on America’s economic uncertainty highlighted the sketch’s poignant satire.
The cold-open sketch began with Trump dismissing the recent turmoil in the stock market caused by his proposed tariffs. In a characteristic tone, he claimed, “There’s nowhere to go but up – or perhaps further down.” This reflects a growing concern among economists and market analysts regarding the potential impacts of tariffs on the economy.
Johnson’s Trump character declared, “This depression’s [going to] be so great, we’ll be the ones eating the cats and the dogs. That’s [going to] be fun.” Such hyperbolic statements serve to emphasize the ridiculousness surrounding current economic policies, while also bringing humor through exaggeration.
The sketch aired shortly after the latest round of Trump tariffs went into effect, contributing to some of the worst losses in the S&P 500 and Nasdaq seen in a decade. Over two consecutive days, stock values declined sharply, reflecting investor apprehensions about the implications of these tariffs.
Trump took to social media, urging Americans to remain patient as he defended his tariff policies. He proclaimed, “We are bringing back jobs and businesses like never before. Already, more than five trillion dollars of investment, and rising fast! THIS IS AN ECONOMIC REVOLUTION, AND WE WILL WIN.” His statement underscores a persistent theme in his administration’s messaging, aiming to portray confidence despite economic headwinds.
The segment featured various fictionalized figures from Trump’s administration, including Commerce Secretary Howard Lutnick. Lutnick distanced himself from the tariffs, while the portrayal of Elon Musk, played by former cast member Mike Myers, provided additional comic relief.
In a humorous exchange, Musk, donned in a Wisconsin cheesehead, joked about the state’s recent Supreme Court election and Tesla’s image issues. Musk quipped, “That was from when I tried to buy the election in Wisconsin. I’m an idiot, I should’ve just bought Wisconsin.” This playful commentary adds another layer of humor to the sketch.
The skit also presented a fictional new Tesla innovation known as the Tesla Model V. Myers, as Musk, unveiled a car that vandalizes itself. He claimed this vehicle could autonomously produce crude images or graffiti without human involvement. “Recently, our dealerships have been the target of so many attacks, and suddenly, no one likes Tesla cars,” Musk lamented in the sketch.
He continued, “So I asked myself why? Then I answered myself, because of me.” This self-reflective humor illustrates Musk’s awareness of Tesla’s troubled reputation, while also poking fun at the absurdity of the situation.
The sketch comes at a time when anti-Tesla incidents are on the rise across the United States. Recent reports indicate over 50 cases of vandalism targeting Tesla vehicles, charging stations, and owners. These incidents include serious acts such as keying vehicles, hateful graffiti, arson, and even alleged drive-by shootings. The rise in such incidents raises concerns about safety and public perception of the brand.
In the closing moments of the sketch, Musk promoted the imaginative features of the Tesla Model V, which include self-smashing headlights and self-slashing tires, reflecting the ongoing struggles faced by Tesla amidst a challenging landscape. This comedic portrayal provides a humorous lens through which to view significant political and economic issues.
The skit successfully manages to blend humor with sharp political critique, addressing serious current events while entertaining audiences. Through engaging satire and whimsical storytelling, SNL continues to prove its relevance in contemporary political discourse.